EPISODES
‘We value everyone equally, but you know, of course each person has a role to play in the team that's been created, but no one is, you know, less valuable than another.’
‘My daughter Billie, she was in rehearsal today. My son Archie grew up the first two or three years of his life, like, on tour with me when I was with Bangarra Dance Theatre and just being in the artistic environment and being surrounded by people is such a beautiful gift, I think, that I can give to them as well.’
‘When I'm making dance and when I think about choreography or art, I often relate my early childhood experiences to the things that I make now as well.’
‘I guess for a lot of people, ballet is still very much an evolving, developing language. I think people think it was probably stuck in a time and hasn't progressed. But modern ballet is very challenging and arresting and it's finding new ways of working with an old structure.’
‘In my hibernation my creativity turned to writing. I spent hours happily at my computer with my writing, which sometimes feels like choreography. The results of these writing hours are some rough chapters recounting special experiences of my life, and in particular, my life here at Mirramu.’
‘So I've been refusing the temptation to put work on online to put work on platforms where they eliminate that very core function of connecting people’
Edna Reinhardt, a passionate creative dance and yoga educator with decades of experience in the field.
I used to say for a long time that I thought the dance was the Prozac of the art forms. […] there is an aesthetic that dominates our work, often complex or ugly or difficult issues are glossed over because people are pointing their feet and look very lovely.
I'm really looking forward to finding more lightness and more joy and looking forward to exploring some of my ideas.
I think now I am really sort of hungry to do more things that are really outside of my preconceived box of what I can do or what kind of dancer, I identify as or think of myself as.
“What I love about the dance world is that it has the possibility of bringing together so many different cultures, so many different people, beliefs, ways of thinking, ways of being in a space … we always find a common ground and a way to exist and support one another and to create something really beautiful”
"[Dance] It gave me an outlet and a way to express myself, and to be in a space where I could see myself represented."
“Dance, it has a tribal background, everyone does dance, initially, as kids, and we will do it socially. So I think there's a very powerful message there that can be utilised by choreographers when they're creating their works.”
“Dance can provide a space for people to have a kinesthetic response to something and to be given a place to meet their body in watching another body move.”
"I really loved the freedom of expression, and just realising that... I don't need to use my mouth if I wanna tell a story."
“some of the best advice that I ever got, as a young student, was make the dance that you want to watch”
“I want us to all be held responsible for watching what is happening on stage, as opposed to 'I can't see the person next to me. And so therefore, it doesn't matter'. Actually, I want us to all take part in what I'm putting on stage and be responsible and have thoughts about that. If we do that, then we're having a bigger conversation about what has actually on our stage today.”
“I have this curiosity for what my body remembers, also pre this life that I've known. And that's not to be esoteric, that's actually anchored in some of the incredibly fascinating research to do with trauma in the body and generational trauma.”
“There is something about sharing something with somebody, or about teaching somebody something that allows space for a conversation that you might not normally have.”
“my ambitions are taking me into other mediums where there is such a liberation, because I don't know the rules, because I don't understand the parameters because I don't understand techniques, because I don't understand tools, or how to do this, or what I should be doing. You know, and there's, there's such a liberation in that. And I think the most valuable thing that I have at the moment is this costume design situation.”
“Dance has the ability to take the moment and to expand that out, so you can almost, you can take one or a few things, and really pull them apart and really understand them. […] Dance allows the possibility for authentic human to human encounters; that I think are becoming more and more precious in this digital world.”
“I am such an instinctual person as well, I really trust in the process, and allowing things to evolve and come up. So the work, in away makes its self along the way.”
Texts
I obsess over the beauty, the colossal scale of brutalist architecture. Smooth, curved, angular, contrasting. The manipulation of materials into constructed utopias.
I feel like I (and everyone else) has been on a rollercoaster of emotions. Moments of elation, moments of soul crushing misery, moments of calm and those moments in between.
To drill into the territory of boredom is to ask specific things of an audience, not the least of which is patience and a capacity to stay in a work when limited sensory stimulation is taking place.
JULIA’s core concept is based on the political life of Australia’s first female Prime Minister. Built on primary research sources including parliamentary transcripts, media reporting and public commentary around the political life and leadership of Australia’s first female Prime Minster, Julia Gillard
On my quicksand days
of crawled choreography
and monologues of moan…
I rehearse in the bath
the tap drip my metronome…
The evolution of the word with gesture, plus dance, is the story of the development of the social human - the real success story of us. Dance, as elaborate repetitive movements, supports rituals for special occasions (weddings), group identities (folk dances), information systems (histories), and recuperation (grieving / healing).
Dance can change lives, I have seen it with my own eyes.
Excellence does not have to walk hand in hand with elitism.
Technical mastery is hard won but there can be such a cost when it is achieved at the expense of our ability to manifest the deeper truths of our being. Technique is a means to an end and not the end in itself.
Dance in a virtual reality environment is an embodied participatory experience, which means that you experience it with your whole body by dancing.
Gender equality in creative leadership has recently and importantly been placed on the agenda in film, music, dance theatre and visual arts. Both locally and internationally, gender imbalances have been a source of concern. In dance these conversations have been had both in Australia and internationally, with a particular gender imbalance observed on our main stages. This project was instigated after conversations with a number of choreographers, while making the Delving into Dance podcast, who were concerned at what they were observing in Australia, and by a little conversation and action on equality.
Dance was born outside, perhaps dance can return to outside? We practise in a community, by this I mean, in class, rehearsal, performance and in communion with other bodies where we seek to connect, to dispel loneliness, to find purpose, find tribe and belong.