Text by Shaun McLeod and Simon Ellis
Delving into Dance in partnership with Critical Path, invited those engaged in dance (in whatever capacity) to share thoughts as to why dance matters now…
Together we have commissioned five texts for publication from Australian artists and writers for the digital Interchange Festival 2019. The artists that present their work are Adrianne Semmens & Jennifer Eadie, Alison Plevey, Ira Ferris, Simon Ellis & Shaun McLeod and Tsuki Becoming.
I obsess over the beauty, the colossal scale of brutalist architecture. Smooth, curved, angular, contrasting. The manipulation of materials into constructed utopias.
I feel like I (and everyone else) has been on a rollercoaster of emotions. Moments of elation, moments of soul crushing misery, moments of calm and those moments in between.
To drill into the territory of boredom is to ask specific things of an audience, not the least of which is patience and a capacity to stay in a work when limited sensory stimulation is taking place.
JULIA’s core concept is based on the political life of Australia’s first female Prime Minister. Built on primary research sources including parliamentary transcripts, media reporting and public commentary around the political life and leadership of Australia’s first female Prime Minster, Julia Gillard
On my quicksand days
of crawled choreography
and monologues of moan…
I rehearse in the bath
the tap drip my metronome…
The evolution of the word with gesture, plus dance, is the story of the development of the social human - the real success story of us. Dance, as elaborate repetitive movements, supports rituals for special occasions (weddings), group identities (folk dances), information systems (histories), and recuperation (grieving / healing).
Dance can change lives, I have seen it with my own eyes.
Excellence does not have to walk hand in hand with elitism.
Technical mastery is hard won but there can be such a cost when it is achieved at the expense of our ability to manifest the deeper truths of our being. Technique is a means to an end and not the end in itself.
Dance in a virtual reality environment is an embodied participatory experience, which means that you experience it with your whole body by dancing.
Dance was born outside, perhaps dance can return to outside? We practise in a community, by this I mean, in class, rehearsal, performance and in communion with other bodies where we seek to connect, to dispel loneliness, to find purpose, find tribe and belong.